Chief Executive David Austin Website The British Board of Film Classification ( BBFC), previously the British Board of Film Censors, is a, founded by the film industry in 1912 and responsible for the national classification and censorship of exhibited at cinemas and video works (such as,,, /campaigning films, menus, bonus content etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify videos, DVDs and, to a lesser extent, some video games under the. Halion Symphonic Orchestra Vst Crack Mac. British Board of Film Censors 'U' certificate for Berlin Airlift (1949) The BBFC was established in late 1912 as the British Board of Film Censors by members of the film industry, who would rather manage their own censorship than have national or local government do it for them. The immediate impetus for the Board's formation stemmed from the furore surrounding the release in the UK in October 1912 of the film, about the life of.

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The film, shown at the, London, gained considerable publicity from a great outcry in the, which demanded: 'Is nothing sacred to the film maker?' , and waxed indignant about the profits for its American film producers. Although the clergy were invited to see it and found little to be affronted by, the controversy resulted in the voluntary creation of the BBFC, which began operating on 1 January 1913. The Board's legal basis was the, which required cinemas to have licences from local authorities.

The Act was introduced for safety reasons after a number of fires in unsuitable venues (fairgrounds and shops that had been hastily converted into cinemas) but the following year a court ruling determined that the criteria for granting or refusing a licence did not have to be restricted to issues of health and safety. Driver License Test In Albanian Language. Given that the law now allowed councils to grant or refuse licences to cinemas according to the content of the films they showed, the 1909 Act therefore enabled the introduction of censorship. The film industry, fearing the economic consequences of a largely unregulated censorship infrastructure, therefore formed the BBFC to take the process 'in house' and establish its own system of self-regulation. By paying a fee of £2 for every reel of film viewed, and by appointing a panel of viewers under a censor, none of whom had any film trade interests, the growing cinema industry neatly created a censorship body which was both self-supporting and strictly impartial, and therefore was not swayed by any sectional interests inside the film trade or outside it. The Board's offices were originally at 133-135, London; the building is located at the junction of, a centre of the for many years.